https://www.sebastiandeway.com/work daily 1.0 2022-01-02 https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1641447627917-YDTYBSSSG7FCH9MSOJHO/Sebastien%2BLavoie%2B-%2B2016-1Size4.jpg Biography https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538693124847-JOMLXW3Y2J1IP4W39FSW/Sebastien+Lavoie+-+2016-8.jpg Biography https://www.sebastiandeway.com/research daily 0.75 2023-04-02 https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538698525146-A8NDZDPX209P3M9QE0AH/Sebastien+Studio+May+2016+Cover.jpg Research https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559160375938-3PG3L94POQIFWOCKQ9I9/Sebastien+Push+2+-+Novation.JPG Research Figure 1 – Performance setup during Livestream events; Laptop using Ableton Live in conjunction with the Push 2 and the Novation’s Launchpad Control XL, plus an iPad using Launchpad app in order to operate transitions from one piece to another in Live, 2017. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538700143618-TV8D93MIKT316L29L9CV/Figure-01-Triangulation-2018.jpg Research Figure 2 – Triangulation and flow: a symbiotic relationship between the studio work, the live performance and the final product (piece). https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538700306338-MZ42V2SCGAKUO6MCWUHG/Figure-02-Anton_Hansch_Eiger_M%EF%BF%BDnch_Jungfrau_1857.jpg Research Figure 3 – Anton Hansch’s painting of the big three mountains of Eiger, Mönch, and Jungfrau, part of the Swiss Alps (1857). https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538702785832-FPZJ771M4STW5XZ2V4XL/Figure-04-4DSound+system+rig.jpg Research Figure 4 - 4DSOUND system (Image by Georg Schroll via Compfight), 2015. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538702846287-8Y4UB28UHQ3SMA0EEV3J/Figure-05-4DSOUND-1.JPG Research Figure 5 - 4DSOUND’s second edition of ‘Spatial Sound Hacklab’ at ZKM in Germany, 2016. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538846030261-IEBWPM5AV3IWV0I11APT/Figure-06-Dolby+ATMOS-1-.jpg Research Figure 6 - London’s Ministry of Sound collaborates with Dolby Laboratories to bring Dolby Atmos sound technology to dance music. Photo credit: unnamed, Found at www.mondodr.com, 2016. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1540429208270-FGCBTL78TU3DIXY28663/dolbyatmos-3.png Research Figure 7 - Prior to the Ministry Of Sound pilot, tracks were processed using the Dolby Atmos Panner plug-in, which was used to automate the three-dimensional panning of various musical elements (Robjohns, Sound On Sound, 2017)[16]. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703040750-K5FF8NOUX95QRIO0V2IC/Figure-08-Media%2C754619%2Cen.jpg Research Figure 8 - The Sonic Laboratory at Queen's University in Belfast, 2005. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703072932-CPJ4NPC87DEJ4KGJSMOR/Figure-09-maxresdefault.jpg Research Figure 9 - The world's only transportable Wave Field Synthesis system, from ‘The Game Of Life’ (gameoflife.nl), was stationed in Amsterdam for the ‘Focused Sound in Sonic Space’ event in 2011. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703142602-BKNVYO2GZJ8PUK5AZK7L/Figure-10-Sebastien+Lavoie+-+Spiral.gif Research Figure 10 - SPIRAL Studio at the University of Huddersfield, 2015. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703215512-ZZ9Z4L9QSUCLQCJTX7M2/Figure-11-_DSC6508.JPG Research Figure 11 - Ableton Push 2 and Novation’s Launchpad control XL, 2017. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703282533-K3RNNRUVK7BXDXY9HBK3/Figure-12-MNTN.png Research Figure 12 - MNTN, the software was developed with the idea of enabling the production of immersive sound, 2017. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703332493-AWK5C7PG5G2OUNE190K3/Figure-13-Max4Live.png Research Figure 13 - Max4Live spatialisation tool for multichannel diffusion, 2017. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703448795-JQ2Y08D771TB2KQJVUHN/Figure-14--0-Diagrams+-.png Research Figure 14 – Layout of speaker disposition in the SPIRAL Studio. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703531951-QFQOYYUEZPBWVUR3QOJA/Figure-15--1-Diagrams+-+Not+The+Last+One.png Research Figure 15 – Diagram of spatialisation for Not The Last One (2017). https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703603107-R66G4KQ63E4I8AAVYCUF/Figure-16--2-Diagram+-+Cyborg+Talk.png Research Figure 16 – Diagram of spatialisation for Cyborg Talk (2017). https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703674723-OESP9XJTKG9QBSCO09E8/Figure-17--3-Diagram+-+Rocket+Verstappen.png Research Figure 17 – Diagram of spatialisation for Rocket Verstappen (2017). https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703759385-RXQ3IQ6O935FG2D8LZEQ/Figure-18-Electronic_Music_Guide.jpg Research Figure 18 – Electronic Dance Music genres; EDM - three letters… so many styles (Found at www.designinfographics.com, 2016). A documentary about the soundtrack of our dance music era: Can You Feel It - How Dance Music Conquered the World [25] https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703822448-IJ8P6B3T751N047XN8ER/Figure-19-5-DSC6497.JPG Research Figure 19 – Livestream performance setup in the Spiral Studio: Laptop with Ableton software and 2 controllers (Push 2 and Launchpad Control XL), 2018. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703876072-DMV30XA8WOTCEKHO3KHW/Figure-20-Richie+Hawtin+setup.png Research Figure 20 - Point Blank Performance Masterclass with Richie Hawtin July 31, 2015 (Damian Albetto). https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703945727-NG3MYAD6TPIMYWCSU5HW/Figure-21-_DSC6508.JPG Research Figure 21 – My controllers - Push 2 (left) and Launchpad Control XL (right), 2018. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538703987298-5SHEFXJO7D4T6G1YK40V/Figure-22-1-Sebastian+DeWay+Live+Performance+2016-05-26.jpg Research Figure 22 – Mixing several loops simultaneously, making them emerge and disappear gradually with the Push 2, 2016. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538704039416-Z3SAG2US562HDOXQMKAA/Figure-23-IMG_0108.JPG Research Figure 23 – Ableton’s software in conjunction with the Push 2 instrument allows me to develop the structured and arranged sections of my compositions, 2018. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538704096967-WFDWSCZ9305EBW0IJ49J/Figure-24-GusGus+live+setup+2017.jpg Research Figure 24 – GusGus Live setup for performance: Sampler, Controller, Filters and Effects, 2017. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538704144448-T3FJF0FVHFTDXSI4YBYM/Figure-25-1-DSC6504-.jpg Research Figure 25 – SPIRAL Studio, where these 3 rings of 8 speakers can be considered as a High Density Loudspeakers Array, 2018. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538704175702-4B8ZD7ACG6AV185U4WU6/Figure-26-Sebastian+DeWay+360+Camera-2-Go-short.jpg Research Figure 26 – Huddersfield Immersive Sound System (HISS) during Electric Spring 2018. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538704252062-7WL19T6XIS2C7VV1PYU1/Figure-27-_DSC6525-.jpg Research Figure 27 – SPIRAL Studio with its 3 rings of 8 speakers, 2018. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559164811806-58CDDWSDWHOY3GVJ4DR4/Chapter+3-6+Template-4.png Research Figure 28 – My Audio Effect Rack in Ableton Live, 2019. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559165020303-O46NYUI62RSSINGOCP64/Chapter+3-6+Template-7.png Research Figure 29 – Ableton session of 8 audio tracks template with the Novation Controller, 2019. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559165391470-ITI81T16M7OZ2J3LRYG0/Chapter+3-6+Template-8.png Research Figure 30 – Max for Live’s Surround Panner, 2019. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559165648235-SWA24I2YJWY20G09XCD1/Chapter+3-6+Template-14.png Research Figure 31 – Envelop for Live’s (E4L) Spinner, Multi-Delay, Stereo Panner and Delay Boids, 2019. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559165774145-AC0MLA1WTVYNPRLFMUDC/image-asset.png Research Figure 32 – Spacer plugin, 2019. https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559166449056-VM4JIDR9GB0KAWPCR8IC/Appendix-1-2-2019-1.png Research https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1559166603512-OYQNTZD65P5SXR286DGW/Appendix-1-2-2019-2-2.png Research https://images.squarespace-cdn.com/content/v1/5898d667e4fcb5808a6d3cb1/1538697094633-0OVOSWM89WDZHS8LICFW/1-Introduction.jpg Research - 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